Superimposition

László Moholy-Nagy

01/01/1947

Eng

The mechanical process of double exposure or printing photos over each other was one of the means used to generate imagination and emotional concentration. Such superimpositions overcome space and time fixations and unite strange and diverging subjects into new entities.

László Moholy-Nagy, Vision in Motion, Paul Theobald, 01/01/1947, Chicago
tipologia Studio storico-critico
ambito Arti visive

p. 210

Superimposition (Ita)